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AKAA Paris - 2026

OpenArtExchange at AKAA Art & Design Fair 2026

We are very excited to announce that OpenArtExchange will be participating in AKAA Art Fair Paris 2026! From the 23rd to 25th of October, we will be presenting a selection of contemporary African art at this premier international fair, bringing together artists, collectors, and galleries from around the world. This year, our selection features, the Beninese sculptor, Sébastien Boko, and the Congolese multimedia artist, Rachel Malaika.

About AKAA

AKAA – Also Known As Africa – is one of Europe’s leading art fairs dedicated to contemporary African art and design. It provides a vibrant platform for established and emerging African artists, connecting them with collectors, curators, and galleries. 

Our Booth - A11

At the heart of our presentation lies an exploration of the Sacred: the power, being, or realm understood to be at the core of human existence. It appears in the beliefs, values, memories, and forms of attachment that condition human existence. In a world shaped by acceleration, divide, political instability, and ecological anxiety, the idea of the Sacred becomes increasingly fragile and contested. Through their distinct practices, Sébastien Boko and Rachel Malaika reflect on what remains meaningful in times of uncertainty: What do we still treat as untouchable, significant, or worthy of reverence?

Sébastien Boko presents a series of semi-abstract sculptures inspired by the shape, or "shadows" as he calls them, of Yoruba Gèlèdè masks, which honour feminine power as a source of balance within society. Each work is crowned with symbolic elements referring to sacred values, beliefs, or culturally significant icons. Engraved motifs combine the signs of electronic circuits with forms of feet, eyes, or ropes, recalling the Fon-language counting system. Bringing ancestral spirituality, science and knowledge into dialogue with contemporary technology, Boko lets us asks what remains sacred within modern societies. His works act as a form of cultural memory, carrying his heritage into the present.

In Rachel Malaika's works, the Sacred takes on multiple dimensions. By reworking colonial-era photography through textile interventions, she confronts seemingly fixed almost sacred visions of history. She reshapes, proposes new interpretations, and shows that new understandings are possible. For Malaika, the Sacred also resides in the female presence, resilience and inner strength. In her self-portraits, she embodies mothers, spiritual figures and political leaders, placing powerful female figures at the centre of the image. Crowned, adorned, and holding symbolic objects, these women occupy positions of authority historically associated with men. Through them, Malaika questions who is granted power, visibility, and reverence, as well as who has the authority to define what is sacred.

 

La Métisse, Sébastien Boko, 2026

Sébastien Boko ​

Benin, 1984 

Sébastien Boko is an autodidact sculptor whose practice is rooted in familial transmission and West-African cultural heritage. Working primarily with wood, metal, and recycled materials, his works explore spirituality, identity, and collective memory. Boko is widely recognized in Benin and has participated in numerous international exhibitions and symposiums. In 2024, he was featured in Revelation! Contemporary Art from Benin at the Conciergerie in Paris.

Regards, Rachel Malaika, 2026

Rachel Malaika

DRC, 1986

Rachel Malaika is a visual artist from the DRC whose multidisciplinary practice spans photography, installation, and textile-based works. Defining herself as an activist photographer, she engages critically with representations of women and children in Congolese society. Through self-portraiture and interventions into colonial-era photographs, she uses textiles and embroidery to question narratives around gender, history, and representation. Her work has been presented internationally, including at 1-54 Contemporary African Art Fair in New York.