Skip to Content

Anna Nunes

Painter | The Netherlands / Portugal

Anna Nunes is an emerging Dutch-Portuguese autodidact artist and ecologist, investigating the impact of human interaction and the necessity of change to move towards a sustainable and more equitable society.


Her expressionistic oil paintings, in style and colors somehow reminding of early Van Gogh's and Gauguin, portray African women in daily life sceneries. They offer a reflection on different ways of living, nourished by her field research experiences with local  cultures in Africa. In her most recent series "The coloniality of gender", she refrains to more minimalistic,  monochromatic oils on natural linen.

​I am interested in those groups of people that are not always seen or heard. If we are to change, we have to open our minds and seek those unheard stories of the vulnerable, to learn and reflect on our own behavior and values, to revalue."

Portrait

Anna Nunes (1993), born in Portugal and currently based in the Netherlands, is an emerging contemporary artist and researcher. She graduated as an ecologist and was awarded in 2018 by the Faculty of Resource Ecology at Wageningen University for her field research in the Boé-region in Guinea-Bissau, where she investigated the biodiversity in sacred forests protected by spiritual beliefs and traditional practices of the Fulani people who inhabite the surrounding area. 

The Sacred forest project resulted in various series of expressionist oil paintings portraying the women, from the African communities that hosted her, in daily life scenery.

Nunes composes her paintings across multiple planes using wide shapes and sometimes bold colours that are reminiscent of Gauguin. She typically uses a focal point such as clapping hands or an expressive gaze to pull her observation into focus and guide the viewer through the scene. 

That results in portraits of strong women, marked by life, though firmly grounded with a sense of resilience and determination, somehow reminding of The Potato Eaters of Van Gogh, albeit leaving the despair behind. Portraits that transcend personal appearance and capture the naked being, the sense of community, of mutual respect for one another, of collective wisdom and values, expressing the very personal connection Nunes experienced.


Her art triggers curiosity about the hidden stories, raises questions what other communities could offer us in our search for a more connected and balanced way of living, with each other and with the world around us.


Her latest residential project "O Mundo Imaginário" (The imaginary realm) in Sao Tomé, is supported by a grant from the Dutch Foundation for Cultural Participation and the local organization Surfers Proud of African Women (SOMA), which promotes gender equality on the island. In this project Nunes examines and challenges the local gender disparities ingrained by an historical context of Dutch and Portuguese colonial rule and slavery.  Noting that till today this legacy still manifests itself in violence and polarization through the authority granted to men, Nunes goes back to the core. She hits on the early shaping of values in the pre-formative phase of boys and girls, and composes an  alternative future vision. 


As part of the project, Nunes facilitates an artistic workshop where local artist Derley Camblé and the little boys from the Santana village share their creativity and knowledge of traditional games to help the girls in creating their own Tabua boards, help them in leaving their domestic chorus to play together in the sea.

By creating space for mixed-gender playing and learning, Nunes embraces the unifying power of games, using children's playful creativity to make a socio-political statement and inspire an experience-based genuine change.


Nunes' series of oil paintings “The coloniality of gender”, created in the "O Mundo Imaginário" project, show dreamlike, fragile visions of nude girls in typical boys activities, seemingly in their element. Minimalistic, almost sketchy, monochromatic images that surface on large natural linen formats, as if  appearing from a foggy future. The subdued, simple compositions with the monochromatic fragile nude girls and the non-primed canvas lend an almost esoteric, pure dimension to her visions.


Anna Nunes has participated in various solo and group exhibitions in the Netherlands and Belgium. Her latest series are exhibited both at the Limburg Biennale (Netherlands) and the X Biennial of Art and Culture of São Tomé and Príncipe, À (re)Descoberta de NÓS, São Tomé and Príncipe, West-Africa. 


Anna Nunes (1993), born in Portugal and currently based in the Netherlands, is an emerging contemporary artist and researcher. She graduated as an ecologist and was awarded in 2018 by the Faculty of Resource Ecology at Wageningen University for her field research in the Boé-region in Guinea-Bissau, where she investigated the biodiversity in sacred forests protected by spiritual beliefs and traditional practices of the Fulani people who inhabite the surrounding area. 

The Sacred forest project resulted in various series of expressionist oil paintings portraying the women, from the African communities that hosted her, in daily life scenery.

Nunes composes her paintings across multiple planes using wide shapes and sometimes bold colours that are reminiscent of Gauguin. She typically uses a focal point such as clapping hands or an expressive gaze to pull her observation into focus and guide the viewer through the scene. 




.

That results in portraits of strong women, marked by life, though firmly grounded with a sense of resilience and determination, somehow reminding of The Potato Eaters of Van Gogh, albeit leaving the despair behind. Portraits that transcend personal appearance and capture the naked being, the sense of community, of mutual respect for one another, of collective wisdom and values, expressing the very personal connection Nunes experienced. 

Her art triggers curiosity about the hidden stories, raises questions what other communities could offer us in our search for a more connected and balanced way of living, with each other and with the world around us.

Her latest residential project "O Mundo Imaginário" (The imaginary realm) in Sao Tomé, is supported by a grant from the Dutch Foundation for Cultural Participation and the local organization Surfers Proud of African Women (SOMA), which promotes gender equality on the island. In this project Nunes examines and challenges the local gender disparities ingrained by an historical context of Dutch and Portuguese colonial rule and slavery.  Noting that till today this legacy still manifests itself in violence and polarization through the authority granted to men, Nunes goes back to the core. She hits on the early shaping of values in the pre-formative phase of boys and girls, and composes an  alternative future vision.  

As part of the project, Nunes facilitates an artistic workshop where local artist Derley Camblé and the little boys from the Santana village share their creativity and knowledge of traditional games to help the girls in creating their own Tabua boards, help them in leaving their domestic chorus to play together in the sea. 

By creating space for mixed-gender playing and learning, Nunes embraces the unifying power of games, using children's playful creativity to make a socio-political statement and inspire an experience-based genuine change. 

Nunes' series of oil paintings “The coloniality of gender”, created in the "O Mundo Imaginário" project, show dreamlike, fragile visions of nude girls in typical boys activities, seemingly in their element. Minimalistic, almost sketchy, monochromatic images that surface on large natural linen formats, as if  appearing from a foggy future. The subdued, simple compositions with the monochromatic fragile nude girls and the non-primed canvas lend an almost esoteric, pure dimension to her visions.

Anna Nunes has participated in various solo and group exhibitions in the Netherlands and Belgium. Her latest series are exhibited both at the Limburg Biennale (Netherlands) and the X Biennial of Art and Culture of São Tomé and Príncipe, À (re)Descoberta de NÓS, São Tomé and Príncipe, West-Africa.  




Works

Your Dynamic Snippet will be displayed here... This message is displayed because you did not provided both a filter and a template to use.

Interested in more works of this artist?

View all available works in our catalog

Credentials


2021

  • Taking you there…, Warnars & Warnars Art Dealers, Haarlem, Netherlands

2019

  • The Line1 Parade, De Broodfabriek, Rijswijk, Netherlands
  • People of the Boé, Gallery Koenders, The Hague, Netherlands

2018

  • Paintings by Anna Nunes, Impulse Wageningen UR, Wageningen, Netherlands

2024

  • ​The Coloniality of Gender, Limburg Biennale – Marres Maastricht, Huis voor Hedendaagse Cultuur, Netherlands
  • O Mundo Imaginário (The imaginary world),  X Biennial of Art and Culture of São Tomé and Príncipe, À (re)Descoberta de NÓS, São Tomé and Príncipe, West-Africa

2023

  • Ties, OpenArtExchange, Schiedam (Rotterdam), Netherlands
  • Jubilee edition, Art in the Park, INNOCOM, Beerzel, Belgium

2022

  • 111 artists > 111 pieces of art, WG Kunst, Amsterdam, Netherlands
  • In memory – portraits of loved ones, The Dutch Portrait Prize, Loods 6, Amsterdam, Netherlands
  • Alternative Realities, Museum Night, Amare, The Hague, Netherlands
  • Setting for Reset, Uit Het Gareel, The Grey Space in the Middle, The Hague, Netherlands

2021

  • Uit Het Gareel, ART The Hague,  Netherlands
  • Faraway places, Uit Het Gareel, The Grey Space in the Middle, The Hague, Netherlands

2020

  • Powerful Women, Gallery De Nispenhoeve, Prinsenbeek, Netherlands
  • Wageningse Makers, City Hall, Wageningen, Netherlands 
  • Jubilee edition, Museum Night, The Hague, Netherlands

2024 

  • Project Grant International Cooperation, Fund of Cultuurparticipatie, Utrecht, Netherlands

2023 

  • Research Grant Explore, Fund of Cultuurparticipatie, Utrecht, Netherlands

2018 

  • The Willem Barentsz Award, Wageningen University, Netherlands. Award for the execution of Nunes research on sacred forests and her collaboration with the local inhabitants of the Boé region, Guinea-Bissau, West Africa

2023

  • Ties, OpenArtExchange, Schiedam (Rotterdam), Netherlands