The unexpected universe is a largely black and white world with a tinge of colour, somewhere between reality and fantasy. With his unique semi-abstract visual language, Amadou reinterprets the nomadic Fulani universe and brings it to life. A dream world formed by various entangled and sometimes overlapping elements (ropes, lianas, knots, leaves, circles and other patterns from the ancient Fulani tattoos), narrative about humanism, resistance, tenacity, resilience, courage, freedom, and some other observations.
“My aim is to show to the world that pastoral nomadism is not a bad thing but a way of living, a full philosophy. It can contribute to environmental protection and economic development of a society.”
Sanda Amadou was born and raised in 1978 in a Fulani community in Northern Benin. He holds a PhD in Sociolinguistics (University of Ghana, Accra) and received art education through residencies and master’s workshops. He lived and worked in Lagos for several years, but returned to Cotonou, Benin in 2019. From his early childhood he drew, fascinated by the culture of the nomadic Fulani, which he still studies and reinterprets.
His works seem to obey a rigorous geometry and form complex architectures, which are simultaneously playful and surprisingly fragile. Lines, circles, triangles and quadrilaterals, semi-mathematical figures that are never perfect, connect Fulani symbols of natural life with ropes at the base. His images result in imaginary forms and grotesque figures that show a ragged vulnerability, ethereal and always in motion. They allow the viewer to glimpse an unreal essence.
Amadou is a recognized artist both domestically and internationally. He has participated in many solo and collective exhibitions over the years, including in Benin Republic, Ghana, Nigeria, South Africa, Senegal, Dubai, Germany, the Netherlands and the US (San Fransisco and New York) and has been featured at major international art exhibitions and fairs such as World Art Dubai and at ARTX Lagos (Nigeria), and AKAA Paris (2021).
Sacred spaces, AKAA Paris, via OpenArtExchange, Paris, France
The unexpected universe, OpenArtExchange, Schiedam, the Netherlands
Sol Kjok, Noosphere arts’ Residency, New York, USA
“Beyond the infnite”, Museum of African Diaspora, San Francisco, USA
“Univers inattendus”, John Herman’s Gallery, Cologne, Germany
“Bergers”, Chale Wote 2018, Accra, Ghana.
“Nomadic Fulani herdsmen”, Élizabeth Gallery, Dubai, UEA
“Fulani body marks”, Gallery La Suite, Cotonou, Republic of Benin
“Beyond the infnite”, Gallery la Suite, Cotonou, Republic of Benin
“Africa moves on”, Gallery AKA, Nyamey, Niger republic
“Symbolic universe of Fulani tattoos”, French cultural center, Parakou, Benin republic
Garden of Eden, OpenArtExchange, Schiedam, The Netherlands
DAF Cologne, via OpenArtExchange, Cologne, Germany
“What will they tell us”, trio with George Adeagbo and Cristelle Yaovi, Kulturforum Süd-Nord, Calavi, Benin
First Art Fair, via OpenArtExchange, Amsterdam, Netherlands
Lille ArtUp!, via OpenArtExchange, Lille, France
ST-ART Strasbourg, via OpenArtExchange, Strasbourg, France
DAF Frankfurt, via OpenArtExchange, Frankfurt, Germany
AKAA Paris, via OpenArtExchange, Schiedam, the Netherlands
Roots, OpenArtExchange, Schiedam, the Netherlands
SOBEBRA, Maison Rouge, Cotonou, republic of Benin
“Retro Africa”, Generation Y, Abuja, Nigeria
African culture and Design Festivale, Lagos, Nigeria
“Doto et Sanda”, Institut français de Cotonou, Cotonou, République du Bénin.
Art X Lagos, Lagos state, Nigeria
World Art Dubai, Dubaï, EAU
Promo Art Jeunese Place des Martyrs, Cotonou, republic of Benin
Bernard Fabry, Aix-en-Provence, France
OpenArtExchange, Schiedam, The Netherlands
Sol Kjok, Noosphere arts’ Residency, NYC